The Awakening of Vishnu
When people speak of the journey of humanity, they often speak of the myth of Adam and Eve, or the Illumination of the Buddha, or even the passage of Shiva, but they rarely speak about the Tree behind them all.
Whether it serves as a vehicle for the knowledge of separation, or for the transcendence of destruction, the Tree has played an essential role in the mythology of humanity as a facilitator of realization. According to some traditions, it holds the principle of verticality and fosters the elevation of consciousness.
In the modern world, humanity is experiencing a state of insatiability that fuels, through limited liability, greed over care, individuality over solidarity, pollution over health, art without meaning, and consumerism that carries neither essence nor orientation for the future generations.
The Dragon reflects the madness of the Mind, which, like artificial intelligence, does not know Truth because it cannot feel nor sense the void within, among other things.
The Tree, which in some myths enables, through an involution, a descent into separation and fragmentation, also serves as a vector for re-entry into a state of unity in connection to the whole.
While Trees can be perceived as separate entities, it is known that the interconnections formed via their roots enable them to live in a symbiotic society in reciprocity.
This moment of confrontation between the Dragon and the Tree symbolically marks a transition from a world based in individuality, voracity, and corruption into a world based upon integrity, solidarity and reconnection to Nature.
This transition may foster a shift from a focus on ever-fractalizing problems fomented by inference and opinion to a solution that unifies.
Ecology may then emerge, not in opposition to economic growth, but rather as a catalyst for new solutions that enable the well-being of future generations. A vibrant Bioeconomy may overcome decay and pollution through sustainable innovations.
This artwork has been created by LARBRELA, a collective composed of artists, artisans, engineers, and researchers, some of whom have spent over 25 years studying ontology.
The collective focuses on solutions to enable a global transition.
Its name is an answer to the question, «Où est l’arbre?» (Where is the tree?)
The mural, which includes the church of Nagasaki, was painted by a Japanese artist from Hiroshima. It frames the message «Money cannot be drunk», created by 7 children as a commentary on their future, the fact that money currently has no parity and therefore no values, and the understanding that water, as a essential facilitator of life, is a universal right.
RECEIVE UPDATES FOR FREE EVENTS of ART, MUSIC and the bar
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© 2025 by LARBRELA
RECEIVE UPDATES FOR ART & MUSIC EVENTS
(Organised for people dedicated to a solution)
RECEIVE UPDATES FOR FREE EVENTS of ART, MUSIC and the bar
RECEVOIR DES MISES À JOUR POUR Les ÉVÉNEMENTS MUSICAUX, artistiques & le bar
(Gratuit pour les personnes dédiés à la solution)
© 2025 by LARBRELA
